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Thứ Năm, 15 tháng 1, 2015

24 Things No One Ever Tells You About The Publishing Industry

Ten years ago, my first novel Prep came out. I’ve learned a thing or two since then.



My first novel.


Via amazon.com


1. When it comes to fellow writers, don't buy into the narcissism of small differences. In all their neurotic, competitive, smart, funny glory, other writers are your friends.


2. Unless you're Stephen King, or you're standing inside your own publishing house, assume that nobody you meet has ever heard of you or your books. If they have, you can be pleasantly surprised.


3. At a reading, 25 audience members and 20 chairs is better than 200 audience members and 600 chairs.


4. There are very different ways people can ask a published writer for the same favor. Polite, succinct, and preemptively letting you off the hook is most effective.


5. Blurbs achieve almost nothing, everyone in publishing knows it, and everyone in publishing hates them.


6. But a really good blurb from the right person can, occasionally, make a book take off.


7. When your book is on best-seller lists, people find you more amusing and respond to your emails faster.



Summit Entertainment / Via Tumblr


8. When your book isn't on best-seller lists, your life is calmer and you have more time to write.


9. The older you are when your first book is published, the less gratuitous resentment will be directed at you.


10. The goal is not to be a media darling; the goal is to have a career.


11. The farther you live from New York, the less preoccupied you'll be with literary gossip. Like cayenne pepper, literary gossip is tastiest in small doses.


12. Contrary to stereotype, most book publicists aren't fast-talking, vapid manipulators; they're usually warm, organized youngish women (yes, they are almost all women) who love to read.



13. Female writers are asked more frequently about all of the following topics than male writers: whether their work is autobiographical; whether their characters are likable; whether their unlikable characters are unlikable on purpose or the writer didn't realize what she was doing; how they manage to write after having children.




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